Category Archives: writing

4.5 : writing on dance : julie cleve and robbie synge

Julie Cleve and Robbie Synge: a work-in-progress version of Passing Through. 16.11.2019. The Space In-Between, Sophiensæle im Rhamen von NO LIMITS Festival, Berlin. A body wrapped in yellow, a body wrapped in blue, squished together, lifted up, tumbled over, negotiated.

4.5 : writing on dance : julie cleve and robbie synge

Julie Cleve and Robbie Synge: a work-in-progress version of Passing Through. 16.11.2019. The Space In-Between, Sophiensæle im Rhamen von NO LIMITS Festival, Berlin. A body wrapped in yellow, a body wrapped in blue, squished together, lifted up, tumbled over, negotiated.

4.5 : writing on dance : rowan james

Rowan James: A Room Full of Elephant. 16.11.2019. The Space In-Between, Sophiensæle, in the frame of NO LIMITS Festival, Berlin. Rowan (playing Rowan) picks out a tale for us from his pocket. It blows up in shape, floating above our

4.5 : writing on dance : rowan james

Rowan James: A Room Full of Elephant. 16.11.2019. The Space In-Between, Sophiensæle, in the frame of NO LIMITS Festival, Berlin. Rowan (playing Rowan) picks out a tale for us from his pocket. It blows up in shape, floating above our

4.5 : writing on dance : welly o’brien, angela alves, vicky malin, kimberly harvey and hamish macpherson

Welly O’Brien, Angela Alves, Vicky Malin, Kimberly Harvey and Hamish MacPherson. 16.11.2019. The Space In-Between, Sophiensæle, in the frame of NO LIMITS Festival, Berlin. I look to my left: sequins everywhere, the smoothest limbs in matte stockings, leg elegantly balanced,

4.5 : writing on dance : welly o’brien, angela alves, vicky malin, kimberly harvey and hamish macpherson

Welly O’Brien, Angela Alves, Vicky Malin, Kimberly Harvey and Hamish MacPherson. 16.11.2019. The Space In-Between, Sophiensæle, in the frame of NO LIMITS Festival, Berlin. I look to my left: sequins everywhere, the smoothest limbs in matte stockings, leg elegantly balanced,

Les adjectifs, les glaces et les plus grands défis: réflexions sur le processus

Les adjectifs, les glaces et les plus grands défis: réflexions sur le processus Cinq danseuses et chorégraphe Sasha Amaya réfléchissent ensemble sur leur processus. Q#1: Qu’est-ce qui vous a le plus surpris dans ce processus? Marion Jousseaume: La façon dont

Les adjectifs, les glaces et les plus grands défis: réflexions sur le processus

Les adjectifs, les glaces et les plus grands défis: réflexions sur le processus Cinq danseuses et chorégraphe Sasha Amaya réfléchissent ensemble sur leur processus. Q#1: Qu’est-ce qui vous a le plus surpris dans ce processus? Marion Jousseaume: La façon dont

Les temps du futur : : : Ariane Fréjean-Passeron sur la nouvelle chorégraphie de Sasha Amaya

Le temps du future Ariane Fréjean-Passeron écrit sur le nouveau prototype chorégraphique de Sasha Amaya, “We Love the Future, un prélude”, un collaboration avec cinq danseurs et compositrice Macha Gharibian. Il est difficile d’identifier la nature des corps qui évoluent sur

Les temps du futur : : : Ariane Fréjean-Passeron sur la nouvelle chorégraphie de Sasha Amaya

Le temps du future Ariane Fréjean-Passeron écrit sur le nouveau prototype chorégraphique de Sasha Amaya, “We Love the Future, un prélude”, un collaboration avec cinq danseurs et compositrice Macha Gharibian. Il est difficile d’identifier la nature des corps qui évoluent sur

MVT: Sofia Dona

Image croutesy of Sofia Dona. Artist and architect Sofia Dona’s practice consistently reveals new ways to view familiar and historically forgotten objects. In her essay “Defamiliarization as Architectural Practice”, co-written with Giorgia Aquilar, Dona explains her practice with reference to

MVT: Sofia Dona

Image croutesy of Sofia Dona. Artist and architect Sofia Dona’s practice consistently reveals new ways to view familiar and historically forgotten objects. In her essay “Defamiliarization as Architectural Practice”, co-written with Giorgia Aquilar, Dona explains her practice with reference to

tanzschreiber : writing on dance : romeo and juliet on the surface of love

“Romeo & Juliet”, John Cranko © Yan Revazov On the Surface of Love by Sasha Amaya, 27. June 2019 The Staatsballett Berlin dances John Cranko’s “Romeo and Juliet”, a layer cake of virtuosic duos, festive dances, and group chaos. As

tanzschreiber : writing on dance : romeo and juliet on the surface of love

“Romeo & Juliet”, John Cranko © Yan Revazov On the Surface of Love by Sasha Amaya, 27. June 2019 The Staatsballett Berlin dances John Cranko’s “Romeo and Juliet”, a layer cake of virtuosic duos, festive dances, and group chaos. As