Category Archives: writing

MVT: Sofia Dona

Image croutesy of Sofia Dona. Artist and architect Sofia Dona’s practice consistently reveals new ways to view familiar and historically forgotten objects. In her essay “Defamiliarization as Architectural Practice”, co-written with Giorgia Aquilar, Dona explains her practice with reference to

MVT: Sofia Dona

Image croutesy of Sofia Dona. Artist and architect Sofia Dona’s practice consistently reveals new ways to view familiar and historically forgotten objects. In her essay “Defamiliarization as Architectural Practice”, co-written with Giorgia Aquilar, Dona explains her practice with reference to

tanzschreiber : writing on dance : romeo and juliet on the surface of love

“Romeo & Juliet”, John Cranko © Yan Revazov On the Surface of Love by Sasha Amaya, 27. June 2019 The Staatsballett Berlin dances John Cranko’s “Romeo and Juliet”, a layer cake of virtuosic duos, festive dances, and group chaos. As

tanzschreiber : writing on dance : romeo and juliet on the surface of love

“Romeo & Juliet”, John Cranko © Yan Revazov On the Surface of Love by Sasha Amaya, 27. June 2019 The Staatsballett Berlin dances John Cranko’s “Romeo and Juliet”, a layer cake of virtuosic duos, festive dances, and group chaos. As

tanzschreiber : writing on dance : panzetti and ticconi’s distancing acts

HARLEKING, Panzetti and Ticconi. ©Dieter Hartwig. Distancing Acts by Sasha Amaya, 5. June 2019 Radialsystem recalls Ginevra Panzetti and Enrico Ticconi’s “HARKLEKING” to Berlin as part of their series New Empathies. The first time I saw Ginevra Panzetti and Enrico

tanzschreiber : writing on dance : panzetti and ticconi’s distancing acts

HARLEKING, Panzetti and Ticconi. ©Dieter Hartwig. Distancing Acts by Sasha Amaya, 5. June 2019 Radialsystem recalls Ginevra Panzetti and Enrico Ticconi’s “HARKLEKING” to Berlin as part of their series New Empathies. The first time I saw Ginevra Panzetti and Enrico

tanzschreiber : writing on dance : zwoisy mears-clarke on the craft of listening

“Worn and Felt”, Zwoisy Mears-Clarke © Zwoisy Mears-Clarke The Craft of Listening by Sasha Amaya, 26. May 2019 Zwoisy Mears-Clarke presents a moving and thoughtfully crafted work “Worn & Felt” at the Sophiensaele’s Hochzeitsaal. Ground Rules It is one of

tanzschreiber : writing on dance : zwoisy mears-clarke on the craft of listening

“Worn and Felt”, Zwoisy Mears-Clarke © Zwoisy Mears-Clarke The Craft of Listening by Sasha Amaya, 26. May 2019 Zwoisy Mears-Clarke presents a moving and thoughtfully crafted work “Worn & Felt” at the Sophiensaele’s Hochzeitsaal. Ground Rules It is one of

tanzschreiber : writing on dance : yasmeen godder on politics, symbols, and signs

“Demonstrate Restraint”, Yasmeen Godder © Tamar Lamm Political Symbols, Political Signs by Sasha Amaya, 22. May 2019 Choreographer Yasmeen Godder and collaborative partner Tomer Damsky return to the Potsdamer Tanztage with their work of political and sonic force, “Demonstrate Restraint”.

tanzschreiber : writing on dance : yasmeen godder on politics, symbols, and signs

“Demonstrate Restraint”, Yasmeen Godder © Tamar Lamm Political Symbols, Political Signs by Sasha Amaya, 22. May 2019 Choreographer Yasmeen Godder and collaborative partner Tomer Damsky return to the Potsdamer Tanztage with their work of political and sonic force, “Demonstrate Restraint”.

4.5 : writing on dance : albert quesada + zoltán vakulya

Albert Quesada & Zoltán Vakulya: OneTwoThreeOneTwo. 04.04.2019, Lillian Baylis Studio, Sadlers Wells, London. the chords strike as i have never heard them before, the prickly guitar and aching voice of flamenco shaken up and spilled out into two bodies whirling

4.5 : writing on dance : albert quesada + zoltán vakulya

Albert Quesada & Zoltán Vakulya: OneTwoThreeOneTwo. 04.04.2019, Lillian Baylis Studio, Sadlers Wells, London. the chords strike as i have never heard them before, the prickly guitar and aching voice of flamenco shaken up and spilled out into two bodies whirling

4.5 : writing on dance : katye coe

Katye Coe with Patricia Okenwa, Matthias Sperling, Hilary Kneale, and Siobhan Davies: Subject to Change; A Less Resilient Way. 16.03.2019, Siobhan Davies Studios, London. Full confession: I arrive slightly late, panting as I make my way up from the thousand

4.5 : writing on dance : katye coe

Katye Coe with Patricia Okenwa, Matthias Sperling, Hilary Kneale, and Siobhan Davies: Subject to Change; A Less Resilient Way. 16.03.2019, Siobhan Davies Studios, London. Full confession: I arrive slightly late, panting as I make my way up from the thousand