Category Archives: writing
MVT: Sofia Dona
Image croutesy of Sofia Dona. Artist and architect Sofia Dona’s practice consistently reveals new ways to view familiar and historically forgotten objects. In her essay “Defamiliarization as Architectural Practice”, co-written with Giorgia Aquilar, Dona explains her practice with reference to
MVT: Sofia Dona
Image croutesy of Sofia Dona. Artist and architect Sofia Dona’s practice consistently reveals new ways to view familiar and historically forgotten objects. In her essay “Defamiliarization as Architectural Practice”, co-written with Giorgia Aquilar, Dona explains her practice with reference to
tanzschreiber : writing on dance : romeo and juliet on the surface of love
“Romeo & Juliet”, John Cranko © Yan Revazov On the Surface of Love by Sasha Amaya, 27. June 2019 The Staatsballett Berlin dances John Cranko’s “Romeo and Juliet”, a layer cake of virtuosic duos, festive dances, and group chaos. As
tanzschreiber : writing on dance : romeo and juliet on the surface of love
“Romeo & Juliet”, John Cranko © Yan Revazov On the Surface of Love by Sasha Amaya, 27. June 2019 The Staatsballett Berlin dances John Cranko’s “Romeo and Juliet”, a layer cake of virtuosic duos, festive dances, and group chaos. As
tanzschreiber : writing on dance : panzetti and ticconi’s distancing acts
HARLEKING, Panzetti and Ticconi. ©Dieter Hartwig. Distancing Acts by Sasha Amaya, 5. June 2019 Radialsystem recalls Ginevra Panzetti and Enrico Ticconi’s “HARKLEKING” to Berlin as part of their series New Empathies. The first time I saw Ginevra Panzetti and Enrico
tanzschreiber : writing on dance : panzetti and ticconi’s distancing acts
HARLEKING, Panzetti and Ticconi. ©Dieter Hartwig. Distancing Acts by Sasha Amaya, 5. June 2019 Radialsystem recalls Ginevra Panzetti and Enrico Ticconi’s “HARKLEKING” to Berlin as part of their series New Empathies. The first time I saw Ginevra Panzetti and Enrico
tanzschreiber : writing on dance : zwoisy mears-clarke on the craft of listening
“Worn and Felt”, Zwoisy Mears-Clarke © Zwoisy Mears-Clarke The Craft of Listening by Sasha Amaya, 26. May 2019 Zwoisy Mears-Clarke presents a moving and thoughtfully crafted work “Worn & Felt” at the Sophiensaele’s Hochzeitsaal. Ground Rules It is one of
tanzschreiber : writing on dance : zwoisy mears-clarke on the craft of listening
“Worn and Felt”, Zwoisy Mears-Clarke © Zwoisy Mears-Clarke The Craft of Listening by Sasha Amaya, 26. May 2019 Zwoisy Mears-Clarke presents a moving and thoughtfully crafted work “Worn & Felt” at the Sophiensaele’s Hochzeitsaal. Ground Rules It is one of
tanzschreiber : writing on dance : yasmeen godder on politics, symbols, and signs
“Demonstrate Restraint”, Yasmeen Godder © Tamar Lamm Political Symbols, Political Signs by Sasha Amaya, 22. May 2019 Choreographer Yasmeen Godder and collaborative partner Tomer Damsky return to the Potsdamer Tanztage with their work of political and sonic force, “Demonstrate Restraint”.
tanzschreiber : writing on dance : yasmeen godder on politics, symbols, and signs
“Demonstrate Restraint”, Yasmeen Godder © Tamar Lamm Political Symbols, Political Signs by Sasha Amaya, 22. May 2019 Choreographer Yasmeen Godder and collaborative partner Tomer Damsky return to the Potsdamer Tanztage with their work of political and sonic force, “Demonstrate Restraint”.
4.5 : writing on dance : albert quesada + zoltán vakulya
Albert Quesada & Zoltán Vakulya: OneTwoThreeOneTwo. 04.04.2019, Lillian Baylis Studio, Sadlers Wells, London. the chords strike as i have never heard them before, the prickly guitar and aching voice of flamenco shaken up and spilled out into two bodies whirling
4.5 : writing on dance : albert quesada + zoltán vakulya
Albert Quesada & Zoltán Vakulya: OneTwoThreeOneTwo. 04.04.2019, Lillian Baylis Studio, Sadlers Wells, London. the chords strike as i have never heard them before, the prickly guitar and aching voice of flamenco shaken up and spilled out into two bodies whirling
4.5 : writing on dance : katye coe
Katye Coe with Patricia Okenwa, Matthias Sperling, Hilary Kneale, and Siobhan Davies: Subject to Change; A Less Resilient Way. 16.03.2019, Siobhan Davies Studios, London. Full confession: I arrive slightly late, panting as I make my way up from the thousand
4.5 : writing on dance : katye coe
Katye Coe with Patricia Okenwa, Matthias Sperling, Hilary Kneale, and Siobhan Davies: Subject to Change; A Less Resilient Way. 16.03.2019, Siobhan Davies Studios, London. Full confession: I arrive slightly late, panting as I make my way up from the thousand
4.5 : writing on dance : jefta van dinther
Jefta van Dinther: The Quiet. 08.03.2019, HAU2, Berlin. There’s a lot of talk about honouring the women in our lives, but Jefta van Dinther walks the talk: the starting point of The Quiet was his reflection on the individuals who have been
4.5 : writing on dance : jefta van dinther
Jefta van Dinther: The Quiet. 08.03.2019, HAU2, Berlin. There’s a lot of talk about honouring the women in our lives, but Jefta van Dinther walks the talk: the starting point of The Quiet was his reflection on the individuals who have been
Tanzschreiber Bookmarks are Out!
Tanzschreiber bookmarks are out! Find them around town, courtesy of Tanzbbüro Berlin. To read Tanzschreiber, click here.
Tanzschreiber Bookmarks are Out!
Tanzschreiber bookmarks are out! Find them around town, courtesy of Tanzbbüro Berlin. To read Tanzschreiber, click here.
4.5 : writing on dance : el conde de torrefiel
El Conde de Torrefiel: LA PLAZA. 22.02.2019. HAU 2, Berlin. The scene is set: we are in the future, sitting in an empty, darkened black box theatre, one amongst a total 365 who are participating in a project running 365
4.5 : writing on dance : el conde de torrefiel
El Conde de Torrefiel: LA PLAZA. 22.02.2019. HAU 2, Berlin. The scene is set: we are in the future, sitting in an empty, darkened black box theatre, one amongst a total 365 who are participating in a project running 365
sasha amaya 