Category Archives: choreography

Day 1: Text, Tongue & Toe Labo

Photo: Tati Witt. Day 1 of Text, Tongue & Toe laboratory. Investigating writing, sound, and the self-interview.

Day 1: Text, Tongue & Toe Labo

Photo: Tati Witt. Day 1 of Text, Tongue & Toe laboratory. Investigating writing, sound, and the self-interview.

Combattimento Restaged for Intersections: Between Music and Theatre in Seicento Italy

Intersections: Music and Theatre in Seicento Italy This two-day conference, exploring the connections between theatre and music in seventeenth-century Italy, will be held on Thursday 20th September and Friday 21st September 2018 in the Conference Room SR24 of the Faculty of

Combattimento Restaged for Intersections: Between Music and Theatre in Seicento Italy

Intersections: Music and Theatre in Seicento Italy This two-day conference, exploring the connections between theatre and music in seventeenth-century Italy, will be held on Thursday 20th September and Friday 21st September 2018 in the Conference Room SR24 of the Faculty of

Floating University Berlin Workshop Begins: Research Strategies in Public Space

Image credit Sasha Amaya. Pseudo Public Space – Research Strategies in Public Space Tue, 03.07.18 – Fri, 06.07.18, 11:00 – 17:00 Floating University Berlin, 10965 Berlin, Lilienthalstraße WORKSHOP This workshop explores how public space can be rethought and produced through

Floating University Berlin Workshop Begins: Research Strategies in Public Space

Image credit Sasha Amaya. Pseudo Public Space – Research Strategies in Public Space Tue, 03.07.18 – Fri, 06.07.18, 11:00 – 17:00 Floating University Berlin, 10965 Berlin, Lilienthalstraße WORKSHOP This workshop explores how public space can be rethought and produced through

  Combat + Lament: Works by Monteverdi, Auerbach, and Berio Trinity College Chapel Cambridge 27 April 2018 . 19h00 Programme Claudio Monteverdi, Lamento d’Arianna Luciano Berio, Sequenza III Lera Auerbach, Lament Claudio Monteverdi (arr Goehr), Lamento d’Arianna Claudio Monteverdi, Il Combattimento di Tancredi e Clorinda

  Combat + Lament: Works by Monteverdi, Auerbach, and Berio Trinity College Chapel Cambridge 27 April 2018 . 19h00 Programme Claudio Monteverdi, Lamento d’Arianna Luciano Berio, Sequenza III Lera Auerbach, Lament Claudio Monteverdi (arr Goehr), Lamento d’Arianna Claudio Monteverdi, Il Combattimento di Tancredi e Clorinda

Combat + Lament FRI 27 APR 7 PM

Combat + Lament: Music by Monteverd, Auerbach, Berio, and Goehr Trinity College Chapel Cambridge 27 April 2018 . 19h00 Programme Claudio Monteverdi, Lamento d’Arianna Luciano Berio, Sequenza III Lera Auerbach, Lament Claudio Monteverdi (arr Goehr), Lamento d’Arianna Claudio Monteverdi, Il Combattimento di Tancredi e Clorinda

Combat + Lament FRI 27 APR 7 PM

Combat + Lament: Music by Monteverd, Auerbach, Berio, and Goehr Trinity College Chapel Cambridge 27 April 2018 . 19h00 Programme Claudio Monteverdi, Lamento d’Arianna Luciano Berio, Sequenza III Lera Auerbach, Lament Claudio Monteverdi (arr Goehr), Lamento d’Arianna Claudio Monteverdi, Il Combattimento di Tancredi e Clorinda

Mentorship in Opera Direction with Sommer Ulrickson

Image: Klaus Michalek. California-born Sommer Ulrickson enjoys a career as choreographer, actor and director, working throughout the US and Europe and regularly receiving state funding and commissions from theatres for the creation of original works and the development of new musical-theatre pieces. Opera

Mentorship in Opera Direction with Sommer Ulrickson

Image: Klaus Michalek. California-born Sommer Ulrickson enjoys a career as choreographer, actor and director, working throughout the US and Europe and regularly receiving state funding and commissions from theatres for the creation of original works and the development of new musical-theatre pieces. Opera

Biennale Tanzausbildung Konferenz 2018

Conference – Matters of Engagement Friday, 2. March 2018 from 11h – 21h Acting & pre-enacting as artistic practice | A conference excursion | In English | registration is required  With Ballhaus Naunynstrasse (tbc.), Choreographie & Widerstand, *foundationClass, HAUPTAKTION, Kotti &

Biennale Tanzausbildung Konferenz 2018

Conference – Matters of Engagement Friday, 2. March 2018 from 11h – 21h Acting & pre-enacting as artistic practice | A conference excursion | In English | registration is required  With Ballhaus Naunynstrasse (tbc.), Choreographie & Widerstand, *foundationClass, HAUPTAKTION, Kotti &

Unfinished Fridays 26 JAN 8 PM

The Task of the Translator, choreography and performance by Sasha Amaya. Unfinished Fridays is a dance performance series presenting LAKE residents, and invited Berlin/international guest artists’ new works and works in progress. Post-performance, a guided discussion is held for audience

Unfinished Fridays 26 JAN 8 PM

The Task of the Translator, choreography and performance by Sasha Amaya. Unfinished Fridays is a dance performance series presenting LAKE residents, and invited Berlin/international guest artists’ new works and works in progress. Post-performance, a guided discussion is held for audience

Tanzschreiber Review: The Task of the Translator at 10 x 6

10 X 6 – 10 kurze Stücke *PROLOG: Für unser erstes gemeinsames „10 times 6” haben wir uns für ein Prinzip der Vereinfachung, bzw. Begrenzung entschieden. Jede von uns bekommt zu jedem Stück 3 Stichpunkte der anderen Studioschreiberin, die sie

Tanzschreiber Review: The Task of the Translator at 10 x 6

10 X 6 – 10 kurze Stücke *PROLOG: Für unser erstes gemeinsames „10 times 6” haben wir uns für ein Prinzip der Vereinfachung, bzw. Begrenzung entschieden. Jede von uns bekommt zu jedem Stück 3 Stichpunkte der anderen Studioschreiberin, die sie

The Task of the Translator at ada studios 10 x 6

10 X 6 : The Task of the Translator Kreation und Performance: Sasha Amaya. Text aus „Antigonick”, der Ubersetzung von Sophokles’ „Antigone” von Anne Carson. Eine Studie mit Text, Bewegung, Sound und Erinnerung. A study in text, movement, sound, and

The Task of the Translator at ada studios 10 x 6

10 X 6 : The Task of the Translator Kreation und Performance: Sasha Amaya. Text aus „Antigonick”, der Ubersetzung von Sophokles’ „Antigone” von Anne Carson. Eine Studie mit Text, Bewegung, Sound und Erinnerung. A study in text, movement, sound, and