Category Archives: performance arts
Philosopher Maria Tatari Reflects on Narkosis
R E V I E W – Narkosis Narkosis ist eine Raumchoreographie von Moritz Majce und Sandra Man, gezeigt von 2.-5.11.2017 im Rahmen des Open Spaces Festivals der Tanzfabrik Berlin. Die Arbeit basiert auf dem Mythos von Narziss und Echo
Philosopher Maria Tatari Reflects on Narkosis
R E V I E W – Narkosis Narkosis ist eine Raumchoreographie von Moritz Majce und Sandra Man, gezeigt von 2.-5.11.2017 im Rahmen des Open Spaces Festivals der Tanzfabrik Berlin. Die Arbeit basiert auf dem Mythos von Narziss und Echo
Tanzschreiber Review: The Task of the Translator at 10 x 6
10 X 6 – 10 kurze Stücke *PROLOG: Für unser erstes gemeinsames „10 times 6” haben wir uns für ein Prinzip der Vereinfachung, bzw. Begrenzung entschieden. Jede von uns bekommt zu jedem Stück 3 Stichpunkte der anderen Studioschreiberin, die sie
Tanzschreiber Review: The Task of the Translator at 10 x 6
10 X 6 – 10 kurze Stücke *PROLOG: Für unser erstes gemeinsames „10 times 6” haben wir uns für ein Prinzip der Vereinfachung, bzw. Begrenzung entschieden. Jede von uns bekommt zu jedem Stück 3 Stichpunkte der anderen Studioschreiberin, die sie
4.5 : writing on dance : NDT 1 : marco goecke, crystal pite, gabriela carrizo, león & lightfoot
Marco Goecke: Woke Up Blind. 29.11.2017, Nederlands Dans Theater (NDT 1) at Haus der Berliner Festspiele, Berlin. Make no mistake, it seemed to shout, this evening we will be dancing with our bodies, our full bodies, our virile bodies! Specifically,
4.5 : writing on dance : NDT 1 : marco goecke, crystal pite, gabriela carrizo, león & lightfoot
Marco Goecke: Woke Up Blind. 29.11.2017, Nederlands Dans Theater (NDT 1) at Haus der Berliner Festspiele, Berlin. Make no mistake, it seemed to shout, this evening we will be dancing with our bodies, our full bodies, our virile bodies! Specifically,
Creative Tools Lab #6: collective lecture
DESCRIPTION This class is a combination of physical work and creative exploration. The first half of the class is comprised of a warm up, exercises, and sequences; in the second half we will investigate creative and choreographic games, exercises, and
Creative Tools Lab #6: collective lecture
DESCRIPTION This class is a combination of physical work and creative exploration. The first half of the class is comprised of a warm up, exercises, and sequences; in the second half we will investigate creative and choreographic games, exercises, and
Creative Tools Lab #5: animal games
DESCRIPTION This class is a combination of physical work and creative exploration. The first half of the class is comprised of a warm up, exercises, and sequences; in the second half we will investigate creative and choreographic games, exercises, and
Creative Tools Lab #5: animal games
DESCRIPTION This class is a combination of physical work and creative exploration. The first half of the class is comprised of a warm up, exercises, and sequences; in the second half we will investigate creative and choreographic games, exercises, and
The Task of the Translator at ada studios 10 x 6
10 X 6 : The Task of the Translator Kreation und Performance: Sasha Amaya. Text aus „Antigonick”, der Ubersetzung von Sophokles’ „Antigone” von Anne Carson. Eine Studie mit Text, Bewegung, Sound und Erinnerung. A study in text, movement, sound, and
The Task of the Translator at ada studios 10 x 6
10 X 6 : The Task of the Translator Kreation und Performance: Sasha Amaya. Text aus „Antigonick”, der Ubersetzung von Sophokles’ „Antigone” von Anne Carson. Eine Studie mit Text, Bewegung, Sound und Erinnerung. A study in text, movement, sound, and
Creative Tools Lab #4: words and movement week 2
DESCRIPTION This class is a combination of physical work and creative exploration. The first half of the class is comprised of a warm up, exercises, and sequences; in the second half we will investigate creative and choreographic games, exercises, and
Creative Tools Lab #4: words and movement week 2
DESCRIPTION This class is a combination of physical work and creative exploration. The first half of the class is comprised of a warm up, exercises, and sequences; in the second half we will investigate creative and choreographic games, exercises, and
4.5 : writing on dance : daniel linehan
Daniel Linehan: Not About Everything. 03.11.2017, RADIKAL at RADIALSYSTEM, Berlin. Forty-five minutes of pure and endless turning: as he spins he speaks, and as he speaks he denies, denies everything which the piece could possibly be conceived to be „about“.
4.5 : writing on dance : daniel linehan
Daniel Linehan: Not About Everything. 03.11.2017, RADIKAL at RADIALSYSTEM, Berlin. Forty-five minutes of pure and endless turning: as he spins he speaks, and as he speaks he denies, denies everything which the piece could possibly be conceived to be „about“.
Narkosis Post-Show Talkback Hosted by Tanzfabrik Berlin SAT 4 NOV
Narkosis Raumchoreografie | Moritz Majce, Sandra Man Research process for Narkosis begins, to be shown in the frame of Open Spaces#3-2017 . “Gliding between gaze, voice, image, and body. In their spatial choreographies, Moritz Majce and Sandra Man create spaces
Narkosis Post-Show Talkback Hosted by Tanzfabrik Berlin SAT 4 NOV
Narkosis Raumchoreografie | Moritz Majce, Sandra Man Research process for Narkosis begins, to be shown in the frame of Open Spaces#3-2017 . “Gliding between gaze, voice, image, and body. In their spatial choreographies, Moritz Majce and Sandra Man create spaces
Narkosis Opens at Open Spaces Festival THR 2 NOV 7 PM
Image: Moritz Majce + Sandra Man, Narkosis 2017. Narkosis Raumchoreografie von Moritz Majce, Sandra Man Open Spaces at Uferstudios Uferstraße 8, 13357 Berlin 2 + 3 November 2018 . 19h00 4 + 5 November 2018 . 20h30 Gliding between gaze,
Narkosis Opens at Open Spaces Festival THR 2 NOV 7 PM
Image: Moritz Majce + Sandra Man, Narkosis 2017. Narkosis Raumchoreografie von Moritz Majce, Sandra Man Open Spaces at Uferstudios Uferstraße 8, 13357 Berlin 2 + 3 November 2018 . 19h00 4 + 5 November 2018 . 20h30 Gliding between gaze,
sasha amaya 