Category Archives: writing
tanzschreiber : writing on dance : otherworldly introductions: the transformative experience of ola maciejewska’s bombyx mori
Otherworldly Introductions: the Transformative Experience of Ola Maciejewska’s Bombyx Mori In the frame of Tanz im August Ola Maciejewska recreates Loïe Fuller’s form in sound, light, and sociality. Jacques Ranciere, writing on Loïe Fuller’s dances in various works including
tanzschreiber : writing on dance : otherworldly introductions: the transformative experience of ola maciejewska’s bombyx mori
Otherworldly Introductions: the Transformative Experience of Ola Maciejewska’s Bombyx Mori In the frame of Tanz im August Ola Maciejewska recreates Loïe Fuller’s form in sound, light, and sociality. Jacques Ranciere, writing on Loïe Fuller’s dances in various works including
4.5 : writing on dance : le ballet de l’opéra de lyon + the agency
Ballet de l’Opéra de Lyon: Trois Grandes Fugues. 10.08.2018, Tanz im August, Haus der Berliner Festspiele, Berlin. There’s something blissfully old fashioned about this programme which sees bodies – in different numbers, in different clothes, under different lighting conditions, with
4.5 : writing on dance : le ballet de l’opéra de lyon + the agency
Ballet de l’Opéra de Lyon: Trois Grandes Fugues. 10.08.2018, Tanz im August, Haus der Berliner Festspiele, Berlin. There’s something blissfully old fashioned about this programme which sees bodies – in different numbers, in different clothes, under different lighting conditions, with
4.5 : writing on dance : xavier le roy
In the frame of Thomas Oberender / Tino Sehgal: Welt ohne Außen. Immersive Spaces since the 1960s. Xavier Le Roy: Le Sacre du Printemps. 02.08.2018, Martin Gropius Bau, Berlin. There are three of them: a beautiful woman, an ordinary man,
4.5 : writing on dance : xavier le roy
In the frame of Thomas Oberender / Tino Sehgal: Welt ohne Außen. Immersive Spaces since the 1960s. Xavier Le Roy: Le Sacre du Printemps. 02.08.2018, Martin Gropius Bau, Berlin. There are three of them: a beautiful woman, an ordinary man,
tanzschreiber : writing on dance : costume, set, and song cycles at the staatsballett berlin
Costume, Set, and Song Cycles at the Staatsballett Berlin The Staatsballett Berlin closes its season—and its leadership by Nacho Duato—with a final programme of works from Gentian Doda, Marco Goecke, and Duato. Doda’s work, “was bleibt” (or, “what remains”),
tanzschreiber : writing on dance : costume, set, and song cycles at the staatsballett berlin
Costume, Set, and Song Cycles at the Staatsballett Berlin The Staatsballett Berlin closes its season—and its leadership by Nacho Duato—with a final programme of works from Gentian Doda, Marco Goecke, and Duato. Doda’s work, “was bleibt” (or, “what remains”),
tanzschreiber : writing on dance : flashbacks and fantasies : an hour with iggy lord malmborg
Flashbacks and Fantasies: An hour with Iggy Lord Malmborg Iggy Lord Malmborg’s “Physics & Phantasma” provokes a collective creation of fiction, fear, and fantasy at the Sophiensaele Hochzeitssaal. While the borders on the discipline of dance may have been blown
tanzschreiber : writing on dance : flashbacks and fantasies : an hour with iggy lord malmborg
Flashbacks and Fantasies: An hour with Iggy Lord Malmborg Iggy Lord Malmborg’s “Physics & Phantasma” provokes a collective creation of fiction, fear, and fantasy at the Sophiensaele Hochzeitssaal. While the borders on the discipline of dance may have been blown
MVT: Oliver Kellhammer
Image courtesy of Oliver Kellhammer. Artist, educator, activist, and writer Oliver Kellhammer has described himself as an enzyme or a catalyst, rather than a creator in any traditional sense. This modesty allows his site-specific works to transpire gradually in unexpected
MVT: Oliver Kellhammer
Image courtesy of Oliver Kellhammer. Artist, educator, activist, and writer Oliver Kellhammer has described himself as an enzyme or a catalyst, rather than a creator in any traditional sense. This modesty allows his site-specific works to transpire gradually in unexpected
tanzschreiber : writing on dance : act iv : an expanded view of manon lescaut
Act IV: An Expanded View of Manon Lescaut Performing Arts Festival at HAU introduces us to the sights and sounds of Lulu Obermayer; Lulu Obermayer introduces us to Manon. Manon Lescaut: a story of a young woman in love but
tanzschreiber : writing on dance : act iv : an expanded view of manon lescaut
Act IV: An Expanded View of Manon Lescaut Performing Arts Festival at HAU introduces us to the sights and sounds of Lulu Obermayer; Lulu Obermayer introduces us to Manon. Manon Lescaut: a story of a young woman in love but
tanzschreiber : writing on dance : plastic buckets and silent speeches : two visions from the potsdamer tanztage
Plastic Buckets and Silent Speeches: Two Visions from Potsdamer Tanztage This year’s Potsdamer Tanztage brings together another unabashedly diverse programme. While German, Belgian, and Canadian components are heaviest (this year celebrates the fifth anniversary of the frabrik’s residency exchange with
tanzschreiber : writing on dance : plastic buckets and silent speeches : two visions from the potsdamer tanztage
Plastic Buckets and Silent Speeches: Two Visions from Potsdamer Tanztage This year’s Potsdamer Tanztage brings together another unabashedly diverse programme. While German, Belgian, and Canadian components are heaviest (this year celebrates the fifth anniversary of the frabrik’s residency exchange with
MVT: Matana Roberts
Image courtesy of Matana Roberts and Constellation Records. Matana Roberts is an American composer, improviser, and visual artist. In addition to her solo performance, she has collaborated with dozens of musicians and ensembles, from her own trio Sticks and Stones
MVT: Matana Roberts
Image courtesy of Matana Roberts and Constellation Records. Matana Roberts is an American composer, improviser, and visual artist. In addition to her solo performance, she has collaborated with dozens of musicians and ensembles, from her own trio Sticks and Stones
MVT: TOPOTEK 1
Image courtesy of TOPOTEK 1. When Martin Rein-Cano founded TOPOTEK 1 twenty-one years ago he was seeking artistic and entrepreneurial independence. Now, as an internationally important multidisciplinary team with roots still firmly planted in landscape architecture, TOPOTEK 1 remains one
MVT: TOPOTEK 1
Image courtesy of TOPOTEK 1. When Martin Rein-Cano founded TOPOTEK 1 twenty-one years ago he was seeking artistic and entrepreneurial independence. Now, as an internationally important multidisciplinary team with roots still firmly planted in landscape architecture, TOPOTEK 1 remains one
sasha amaya 