Artist Bootcamp: Introduction to Copyright with Julia Ryckman
Introduction to Copyright for Artists with Julia Ryckman Mentoring Artists for Women’s Art 611 Main Street Winnipeg 23 January 2019 “What is copyright? What rights does an artist have in the work they create? Does an artist need to register
Artist Bootcamp: Introduction to Copyright with Julia Ryckman
Introduction to Copyright for Artists with Julia Ryckman Mentoring Artists for Women’s Art 611 Main Street Winnipeg 23 January 2019 “What is copyright? What rights does an artist have in the work they create? Does an artist need to register
Movement Practice with Carol-Ann Bohrn
Movement Practice Young Lungs Dance Exchange at Video Pool 300 Arthur Street Winnipeg 21 January 2019 . 15h “This month’s free Movement Practice, titled Movement, Mediation and Improvisation, is led by Winnipeg-based contemporary dancer Carol-Ann Bohrn and is suitable for
Movement Practice with Carol-Ann Bohrn
Movement Practice Young Lungs Dance Exchange at Video Pool 300 Arthur Street Winnipeg 21 January 2019 . 15h “This month’s free Movement Practice, titled Movement, Mediation and Improvisation, is led by Winnipeg-based contemporary dancer Carol-Ann Bohrn and is suitable for
Tanzschreiberinnen Ruckblick 2018 >>>>> YEAR IN REVIEW
tanzschreiber Year Review 2018 Tanzschreiberinnen Review 2018 by Sasha Amaya, 19. December 2018 By Sasha Amaya, Alex Hennig, Christine Matschke & Johanna Withelm The tanzschreiberinnen quartet met up for a joint glimpse back. In addition to individual dance performances, they
Tanzschreiberinnen Ruckblick 2018 >>>>> YEAR IN REVIEW
tanzschreiber Year Review 2018 Tanzschreiberinnen Review 2018 by Sasha Amaya, 19. December 2018 By Sasha Amaya, Alex Hennig, Christine Matschke & Johanna Withelm The tanzschreiberinnen quartet met up for a joint glimpse back. In addition to individual dance performances, they
tanzschreiber : writing on dance : christoph winkler and dancers embody the sounds of julius eastman to the fullest
“Speak Boldly”, Christoph Winkler © Oliver Look To the Fullest by Sasha Amaya, 12. December 2018 Christoph Winkler’s new artistic triptych “Boldly: The Julius Eastman Dance Project”animates the previously lost works of the striking American composer. The past year has
tanzschreiber : writing on dance : christoph winkler and dancers embody the sounds of julius eastman to the fullest
“Speak Boldly”, Christoph Winkler © Oliver Look To the Fullest by Sasha Amaya, 12. December 2018 Christoph Winkler’s new artistic triptych “Boldly: The Julius Eastman Dance Project”animates the previously lost works of the striking American composer. The past year has
Soirée annuelle des Amis de Royaumont
Many thanks to les Amis de Royaumont for their support during my time at Royaumont. Un grand merci aux Amis de Royaumont pour leur soutien durant mon séjour à Royaumont. “L’Association des Amis de Royaumont apporte un soutien collectif à
Soirée annuelle des Amis de Royaumont
Many thanks to les Amis de Royaumont for their support during my time at Royaumont. Un grand merci aux Amis de Royaumont pour leur soutien durant mon séjour à Royaumont. “L’Association des Amis de Royaumont apporte un soutien collectif à
tanzschreiber : writing on dance : three views on instant composition
“Common Ground”, Ingo Reulecke © Claudia Rühle Three Views on Instant Composition by Sasha Amaya, 8. December 2018 Three improvisations between musicians and dancers at the monthly Common Ground series provide different approaches to instant composition. Berlin is host to
tanzschreiber : writing on dance : three views on instant composition
“Common Ground”, Ingo Reulecke © Claudia Rühle Three Views on Instant Composition by Sasha Amaya, 8. December 2018 Three improvisations between musicians and dancers at the monthly Common Ground series provide different approaches to instant composition. Berlin is host to
4.5 : writing on dance : ligia lewis
Ligia Lewis: Water Will (in Melody). 2.12.18, HAU 2, Berlin. I cannot tell you all of the references, but I can see them, like trees in a forest whose names I do not know, and I can hear what they
4.5 : writing on dance : ligia lewis
Ligia Lewis: Water Will (in Melody). 2.12.18, HAU 2, Berlin. I cannot tell you all of the references, but I can see them, like trees in a forest whose names I do not know, and I can hear what they
FACE THE PAST! Interventions at the Glyptoteket
Photos: Henrik Bjørn Bertelsen TRAVERS: FACE THE PAST Interventions at the Glyptoteket Ny Carlsberg Glyptotek Dantes Plads 7 København 1 December 2018 For more information on Ny Carlsberg Glyptoteket, click here.
FACE THE PAST! Interventions at the Glyptoteket
Photos: Henrik Bjørn Bertelsen TRAVERS: FACE THE PAST Interventions at the Glyptoteket Ny Carlsberg Glyptotek Dantes Plads 7 København 1 December 2018 For more information on Ny Carlsberg Glyptoteket, click here.
tanzschreiber : writing on dance : kat válastur on the strangeness of species
“Stellar Fauna”, Kat Válastur © Leon Eixenberger The Strangeness of Species by Sasha Amaya, 26. November 2018 Kat Válastur’s new work brings together sculpture, performance, and video to give perspective on our human experience. This October, sound and radio artist
tanzschreiber : writing on dance : kat válastur on the strangeness of species
“Stellar Fauna”, Kat Válastur © Leon Eixenberger The Strangeness of Species by Sasha Amaya, 26. November 2018 Kat Válastur’s new work brings together sculpture, performance, and video to give perspective on our human experience. This October, sound and radio artist
Highlights of the Week: Lola Arias, Mary Beard, and Sculpting Trond
Ane Cortzen and Mary Beard in conversation, 30.11.18. Photo: Rine Rodin. Highlights of a very busy week at the Glypoteket include a screening of The Theatre of War, plus discussions and feedback, from Lola Arias, an inspiring, punchy, and learned
Highlights of the Week: Lola Arias, Mary Beard, and Sculpting Trond
Ane Cortzen and Mary Beard in conversation, 30.11.18. Photo: Rine Rodin. Highlights of a very busy week at the Glypoteket include a screening of The Theatre of War, plus discussions and feedback, from Lola Arias, an inspiring, punchy, and learned
sasha amaya 