Category Archives: music
Darmstadt 10 / Nadar Ensembles presents Prins, d’Heudieres, Bailey + Abas Kiarostami
Laughter Studies 7, Louise d’Heudieres. Photo: Kristof Lemp. Nadar / OurEars Private concerts in the afternoon: Natacha Diels: ‘I love myself deeply and unconditionally.’ (In collaboration with Sam Scranton) 14.00–18.00 ongoing Vladimir Gorlinksy: Rosenhöhe. Apollo (With participation of Nemø Ensemble) 14.00, 16.00
Darmstadt 10 / Nadar Ensembles presents Prins, d’Heudieres, Bailey + Abas Kiarostami
Laughter Studies 7, Louise d’Heudieres. Photo: Kristof Lemp. Nadar / OurEars Private concerts in the afternoon: Natacha Diels: ‘I love myself deeply and unconditionally.’ (In collaboration with Sam Scranton) 14.00–18.00 ongoing Vladimir Gorlinksy: Rosenhöhe. Apollo (With participation of Nemø Ensemble) 14.00, 16.00
Darmstadt 9 / TARZAN at the Orangerie
Image credit God’s Entertainment TARZAN Music Theater Performance by and with God’s Entertainment 23 + 24 July 2018, 19.30 Orangerie The figure of Tarzan, created by Edgar Rice Burroughs in 1912, has since its conception asserted itself in dozens of
Darmstadt 9 / TARZAN at the Orangerie
Image credit God’s Entertainment TARZAN Music Theater Performance by and with God’s Entertainment 23 + 24 July 2018, 19.30 Orangerie The figure of Tarzan, created by Edgar Rice Burroughs in 1912, has since its conception asserted itself in dozens of
Darmstadt 8 / Playing around with Sara Glojnarić
Photo credit: Sara Glojnarić Sara Glojnarić is a composer and sound artist based in Stuttgart, Germany, originally from Zagreb, Croatia. Her work is interdisciplinary, multi-media and multi-sensory, heavily influenced by pop culture, its aesthetic and its sociopolitical consequences. For more information
Darmstadt 8 / Playing around with Sara Glojnarić
Photo credit: Sara Glojnarić Sara Glojnarić is a composer and sound artist based in Stuttgart, Germany, originally from Zagreb, Croatia. Her work is interdisciplinary, multi-media and multi-sensory, heavily influenced by pop culture, its aesthetic and its sociopolitical consequences. For more information
Darmstadt 6 / Clara Iannotta and Simon Løffler Make Music for Found Footage
FOUND FOOTAGE Live music premieres by Clara Iannotta, Simon Løffler and Nikel for Peter Tscherkassky’s films Fri 20 July 2018, 21.00 Centralstation (Saal) Peter Tscherkassky: Cinemascope Trilogy L’Arrivée (1997/98) Outer Space (1999), Music: Clara Iannotta – World Premiere / Commission
Darmstadt 6 / Clara Iannotta and Simon Løffler Make Music for Found Footage
FOUND FOOTAGE Live music premieres by Clara Iannotta, Simon Løffler and Nikel for Peter Tscherkassky’s films Fri 20 July 2018, 21.00 Centralstation (Saal) Peter Tscherkassky: Cinemascope Trilogy L’Arrivée (1997/98) Outer Space (1999), Music: Clara Iannotta – World Premiere / Commission
Darmstadt 3 / Radio Tautitotito
TAUTITOTITO (DISPUTATION SONGS) Music Theater by Celeste Oram 17 + 18 July 2018, 15.00 – 18.30 Centralstation (Saal) Tautitotito (Disputation Songs): Another Genealogy of Aotearoa New Zealand Music (2018) – World Premiere / Commissioned by the Darmstadt Summer Course A
Darmstadt 3 / Radio Tautitotito
TAUTITOTITO (DISPUTATION SONGS) Music Theater by Celeste Oram 17 + 18 July 2018, 15.00 – 18.30 Centralstation (Saal) Tautitotito (Disputation Songs): Another Genealogy of Aotearoa New Zealand Music (2018) – World Premiere / Commissioned by the Darmstadt Summer Course A
Darmstadt 2 / Discovering Darmstadt
“Eberstadt, today a part of Darmstadt, was first mentioned in the year 782, in a document belonging to the monastery of Lorsch. At the end of the 11thcentury “Darmundestat” was first mentioned. On July 23rd 1330, the earls of Katzenelnbogen received
Darmstadt 2 / Discovering Darmstadt
“Eberstadt, today a part of Darmstadt, was first mentioned in the year 782, in a document belonging to the monastery of Lorsch. At the end of the 11thcentury “Darmundestat” was first mentioned. On July 23rd 1330, the earls of Katzenelnbogen received
Darmstadt 1 / Discontinuity with Michael Maierhof
DISCONTINUITY Workshop Michael Maierhof With selection process Participants: composers, artists, teams Discontinuity as gaps, as loops, as blind spots as “media jump” as a musical form construction as an alternative for false causalities Under the title “discontinuity”, Michael Maierhof will
Darmstadt 1 / Discontinuity with Michael Maierhof
DISCONTINUITY Workshop Michael Maierhof With selection process Participants: composers, artists, teams Discontinuity as gaps, as loops, as blind spots as “media jump” as a musical form construction as an alternative for false causalities Under the title “discontinuity”, Michael Maierhof will
Oxford Conducting Conference Commences 21 JUN
OXFORD CONDUCTING INSTITUTE INTERNATIONAL CONDUCTING STUDIES CONFERENCE 2018 21-23 June 2018 St Anne’s College, University of Oxford Provisional programme for OCIICSC available here. Vocal and instrumental conductors and conducting are at the core of a multitude of musical endeavours across
Oxford Conducting Conference Commences 21 JUN
OXFORD CONDUCTING INSTITUTE INTERNATIONAL CONDUCTING STUDIES CONFERENCE 2018 21-23 June 2018 St Anne’s College, University of Oxford Provisional programme for OCIICSC available here. Vocal and instrumental conductors and conducting are at the core of a multitude of musical endeavours across
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