Author Archives: Sasha Amaya
Creative Tools Lab #4: words and movement week 2
DESCRIPTION This class is a combination of physical work and creative exploration. The first half of the class is comprised of a warm up, exercises, and sequences; in the second half we will investigate creative and choreographic games, exercises, and
Creative Tools Lab #4: words and movement week 2
DESCRIPTION This class is a combination of physical work and creative exploration. The first half of the class is comprised of a warm up, exercises, and sequences; in the second half we will investigate creative and choreographic games, exercises, and
4.5 : writing on dance : daniel linehan
Daniel Linehan: Not About Everything. 03.11.2017, RADIKAL at RADIALSYSTEM, Berlin. Forty-five minutes of pure and endless turning: as he spins he speaks, and as he speaks he denies, denies everything which the piece could possibly be conceived to be „about“.
4.5 : writing on dance : daniel linehan
Daniel Linehan: Not About Everything. 03.11.2017, RADIKAL at RADIALSYSTEM, Berlin. Forty-five minutes of pure and endless turning: as he spins he speaks, and as he speaks he denies, denies everything which the piece could possibly be conceived to be „about“.
Narkosis Post-Show Talkback Hosted by Tanzfabrik Berlin SAT 4 NOV
Narkosis Raumchoreografie | Moritz Majce, Sandra Man Research process for Narkosis begins, to be shown in the frame of Open Spaces#3-2017 . “Gliding between gaze, voice, image, and body. In their spatial choreographies, Moritz Majce and Sandra Man create spaces
Narkosis Post-Show Talkback Hosted by Tanzfabrik Berlin SAT 4 NOV
Narkosis Raumchoreografie | Moritz Majce, Sandra Man Research process for Narkosis begins, to be shown in the frame of Open Spaces#3-2017 . “Gliding between gaze, voice, image, and body. In their spatial choreographies, Moritz Majce and Sandra Man create spaces
Narkosis Opens at Open Spaces Festival THR 2 NOV 7 PM
Image: Moritz Majce + Sandra Man, Narkosis 2017. Narkosis Raumchoreografie von Moritz Majce, Sandra Man Open Spaces at Uferstudios Uferstraße 8, 13357 Berlin 2 + 3 November 2018 . 19h00 4 + 5 November 2018 . 20h30 Gliding between gaze,
Narkosis Opens at Open Spaces Festival THR 2 NOV 7 PM
Image: Moritz Majce + Sandra Man, Narkosis 2017. Narkosis Raumchoreografie von Moritz Majce, Sandra Man Open Spaces at Uferstudios Uferstraße 8, 13357 Berlin 2 + 3 November 2018 . 19h00 4 + 5 November 2018 . 20h30 Gliding between gaze,
Creative Tools Lab #3: words and movement week 1
DESCRIPTION This class is a combination of physical work and creative exploration. The first half of the class is comprised of a warm up, exercises, and sequences; in the second half we will investigate creative and choreographic games, exercises, and
Creative Tools Lab #3: words and movement week 1
DESCRIPTION This class is a combination of physical work and creative exploration. The first half of the class is comprised of a warm up, exercises, and sequences; in the second half we will investigate creative and choreographic games, exercises, and
PACT Zollverein Residency on Dance, Writing, Format
Residency at PACT Zollverein to investigate formats and approaches to dance and text. October 2017. PACT Zollverein Seit seiner Gründung 2002 ist PACT Zollverein Initiator, Motor und Bühne für wegweisende Entwicklungen in den Bereichen Tanz, Performance, Theater, Medien und Bildende
PACT Zollverein Residency on Dance, Writing, Format
Residency at PACT Zollverein to investigate formats and approaches to dance and text. October 2017. PACT Zollverein Seit seiner Gründung 2002 ist PACT Zollverein Initiator, Motor und Bühne für wegweisende Entwicklungen in den Bereichen Tanz, Performance, Theater, Medien und Bildende
4.5 : writing on dance : benjamin vandewalle
Benjamin Vandewalle: Walking the Line. 06.10.2017, Kaaitheater, Brüssel Thin, tidy men wearing masks paint the nails of much larger ladies, glorious black locks streaming down their face, round cheeks smiling, gold jewellery shining; teenagers with backpacks, in simple communion, chew
4.5 : writing on dance : benjamin vandewalle
Benjamin Vandewalle: Walking the Line. 06.10.2017, Kaaitheater, Brüssel Thin, tidy men wearing masks paint the nails of much larger ladies, glorious black locks streaming down their face, round cheeks smiling, gold jewellery shining; teenagers with backpacks, in simple communion, chew
Bühne | Affekete | Politik : 5th Industry Get-Together of the Independent Performing Arts Community
Bühne | Affekete | Politik : 5. Branchentreff der freien darstellenden Künste Stage | Emotions | Politics : 5th Industry Get-Together of the Independent Performing Arts Community HAU Hebbel am Ufer 19 – 21 October 2017 The Industry Get-Together of
Bühne | Affekete | Politik : 5th Industry Get-Together of the Independent Performing Arts Community
Bühne | Affekete | Politik : 5. Branchentreff der freien darstellenden Künste Stage | Emotions | Politics : 5th Industry Get-Together of the Independent Performing Arts Community HAU Hebbel am Ufer 19 – 21 October 2017 The Industry Get-Together of
4.5 : writing on dance : fré werbrouck
Fré Werbrouck / Cie D’ici: Phasme, Variations sur l’immobile. 06.10.2017, Raffinerie Charleroi Danses, Brüssel Picture this: a woman’s weightless body carved into the centre of a table, a barely lit skirt sweeping the floor beneath, torso lit atop, cut in two.
4.5 : writing on dance : fré werbrouck
Fré Werbrouck / Cie D’ici: Phasme, Variations sur l’immobile. 06.10.2017, Raffinerie Charleroi Danses, Brüssel Picture this: a woman’s weightless body carved into the centre of a table, a barely lit skirt sweeping the floor beneath, torso lit atop, cut in two.
Creative Tools Lab #2: habits
DESCRIPTION This class is a combination of physical work and creative exploration. The first half of the class is comprised of a warm up, exercises, and sequences; in the second half we will investigate creative and choreographic games, exercises, and
Creative Tools Lab #2: habits
DESCRIPTION This class is a combination of physical work and creative exploration. The first half of the class is comprised of a warm up, exercises, and sequences; in the second half we will investigate creative and choreographic games, exercises, and
sasha amaya 