Category Archives: choreography
In the Studio
In the studio with Rachelle Bourget and Ian Mozdzen. Images by Sasha Amaya.
Tick Tock Collaboration Announced
Tick Tock — a new collaboration between Naomi Woo and Sasha Amaya — focuses on sonic and choreographic performance: producing, interpreting, and devising works of opera, dance, music, and physical theatre. NAOMI WOO /// Canadian-born Naomi Woo is a pianist,
Tick Tock Collaboration Announced
Tick Tock — a new collaboration between Naomi Woo and Sasha Amaya — focuses on sonic and choreographic performance: producing, interpreting, and devising works of opera, dance, music, and physical theatre. NAOMI WOO /// Canadian-born Naomi Woo is a pianist,
Henry IV Opens TUE 5 May 745 PM
Henry IV Part One Directed by Jamie Armitage ADC Theatre Cambridge 5-9 May 2015 Opening 5 May 2015 . 19h45 “banish not him thy Harry’s company: banish plump Jack, and banish all the world.” (II.iv)Henry IV, consumed by guilt over
Henry IV Opens TUE 5 May 745 PM
Henry IV Part One Directed by Jamie Armitage ADC Theatre Cambridge 5-9 May 2015 Opening 5 May 2015 . 19h45 “banish not him thy Harry’s company: banish plump Jack, and banish all the world.” (II.iv)Henry IV, consumed by guilt over
Sprung Opens 10 MAR 730 PM
bedtime Choreography by Sasha Amaya, Performed by Julia Radomski Sprung // QCCD Cambridge 10 – 11 March 2015 Opening 10 March 2015 . 19h30
Sprung Opens 10 MAR 730 PM
bedtime Choreography by Sasha Amaya, Performed by Julia Radomski Sprung // QCCD Cambridge 10 – 11 March 2015 Opening 10 March 2015 . 19h30
Pas Deux at Le fifa
Pas Deux Choreography by Sasha Amaya, Video by Scott Leroux Le festival international du film sur l’art Centre Phi – Espace B 407, rue Saint-Pierre Montréal 19 – 20 March 2015 Pas Deux screens 28 March 2015 . 21h Le
Pas Deux at Le fifa
Pas Deux Choreography by Sasha Amaya, Video by Scott Leroux Le festival international du film sur l’art Centre Phi – Espace B 407, rue Saint-Pierre Montréal 19 – 20 March 2015 Pas Deux screens 28 March 2015 . 21h Le
Pas Deux at Power of 30
Still from Pas Deux, video by Scott Leroux and Sasha Amaya, 2013 Pas Deux Power of Thirty MAWA // Mentoring Artists for Women’s Art 611 Main Street Winnipeg 5 September – 4 October 2014 Opening 5 September 2014 . 17h-20h
Pas Deux at Power of 30
Still from Pas Deux, video by Scott Leroux and Sasha Amaya, 2013 Pas Deux Power of Thirty MAWA // Mentoring Artists for Women’s Art 611 Main Street Winnipeg 5 September – 4 October 2014 Opening 5 September 2014 . 17h-20h
NY Times Review !
Barely Moving, but Communicating Volumes By ALASTAIR MACAULAY JUNE 12, 2014 “….more engrossing were three animated films of dance movement, called collectively “Zala Moves,” by Paloma Ayala, making dance continuity from line drawings of the dancer-choreographer Sasha Amaya. In one dance
NY Times Review !
Barely Moving, but Communicating Volumes By ALASTAIR MACAULAY JUNE 12, 2014 “….more engrossing were three animated films of dance movement, called collectively “Zala Moves,” by Paloma Ayala, making dance continuity from line drawings of the dancer-choreographer Sasha Amaya. In one dance
Zala in NY
Zala Moves Animation by Paloma Ayala based on movement by Sasha AmayaScreening 10 June, 830 PM Performance Mix Festival New Dance Alliance @ HERE 145 Sixth Avenue, between Spring + Broome, Dominick St Entrance Manhattan, New York 10-15 June
Zala in NY
Zala Moves Animation by Paloma Ayala based on movement by Sasha AmayaScreening 10 June, 830 PM Performance Mix Festival New Dance Alliance @ HERE 145 Sixth Avenue, between Spring + Broome, Dominick St Entrance Manhattan, New York 10-15 June
Studio Visit with Peter Q
Photo of coffee shoppe after an interesting and generous studio visit with Peter Quanz. PETER QUANZ Peter Quanz, of Baden, Ontario, knew he wanted to be a choreographer at age nine. In his first year at the Royal Winnipeg Ballet
Studio Visit with Peter Q
Photo of coffee shoppe after an interesting and generous studio visit with Peter Quanz. PETER QUANZ Peter Quanz, of Baden, Ontario, knew he wanted to be a choreographer at age nine. In his first year at the Royal Winnipeg Ballet
