Author Archives: Sasha Amaya

Darmstadt 9 / TARZAN at the Orangerie

Image credit God’s Entertainment TARZAN Music Theater Performance by and with God’s Entertainment 23 + 24 July 2018, 19.30 Orangerie The figure of Tarzan, created by Edgar Rice Burroughs in 1912, has since its conception asserted itself in dozens of

Darmstadt 9 / TARZAN at the Orangerie

Image credit God’s Entertainment TARZAN Music Theater Performance by and with God’s Entertainment 23 + 24 July 2018, 19.30 Orangerie The figure of Tarzan, created by Edgar Rice Burroughs in 1912, has since its conception asserted itself in dozens of

Darmstadt 8 / Playing around with Sara Glojnarić

Photo credit:  Sara Glojnarić Sara Glojnarić is a composer and sound artist based in Stuttgart, Germany, originally from Zagreb, Croatia. Her work is interdisciplinary, multi-media and multi-sensory, heavily influenced by pop culture, its aesthetic and its sociopolitical consequences. For more information

Darmstadt 8 / Playing around with Sara Glojnarić

Photo credit:  Sara Glojnarić Sara Glojnarić is a composer and sound artist based in Stuttgart, Germany, originally from Zagreb, Croatia. Her work is interdisciplinary, multi-media and multi-sensory, heavily influenced by pop culture, its aesthetic and its sociopolitical consequences. For more information

Darmstadt 6 / Clara Iannotta and Simon Løffler Make Music for Found Footage

FOUND FOOTAGE Live music premieres by Clara Iannotta, Simon Løffler and Nikel for Peter Tscherkassky’s films Fri 20 July 2018, 21.00 Centralstation (Saal) Peter Tscherkassky: Cinemascope Trilogy L’Arrivée (1997/98) Outer Space (1999), Music: Clara Iannotta – World Premiere / Commission

Darmstadt 6 / Clara Iannotta and Simon Løffler Make Music for Found Footage

FOUND FOOTAGE Live music premieres by Clara Iannotta, Simon Løffler and Nikel for Peter Tscherkassky’s films Fri 20 July 2018, 21.00 Centralstation (Saal) Peter Tscherkassky: Cinemascope Trilogy L’Arrivée (1997/98) Outer Space (1999), Music: Clara Iannotta – World Premiere / Commission

Darmstadt 3 / Radio Tautitotito

TAUTITOTITO (DISPUTATION SONGS) Music Theater by Celeste Oram 17 + 18 July 2018, 15.00 – 18.30 Centralstation (Saal) Tautitotito (Disputation Songs): Another Genealogy of Aotearoa New Zealand Music (2018) – World Premiere / Commissioned by the Darmstadt Summer Course A

Darmstadt 3 / Radio Tautitotito

TAUTITOTITO (DISPUTATION SONGS) Music Theater by Celeste Oram 17 + 18 July 2018, 15.00 – 18.30 Centralstation (Saal) Tautitotito (Disputation Songs): Another Genealogy of Aotearoa New Zealand Music (2018) – World Premiere / Commissioned by the Darmstadt Summer Course A

Darmstadt 2 / Discovering Darmstadt

“Eberstadt, today a part of Darmstadt, was first mentioned in the year 782, in a document belonging to the monastery of Lorsch. At the end of the 11thcentury “Darmundestat” was first mentioned. On July 23rd 1330, the earls of Katzenelnbogen received

Darmstadt 2 / Discovering Darmstadt

“Eberstadt, today a part of Darmstadt, was first mentioned in the year 782, in a document belonging to the monastery of Lorsch. At the end of the 11thcentury “Darmundestat” was first mentioned. On July 23rd 1330, the earls of Katzenelnbogen received

Darmstadt 1 / Discontinuity with Michael Maierhof

DISCONTINUITY Workshop Michael Maierhof With selection process Participants: composers, artists, teams Discontinuity as gaps, as loops, as blind spots as “media jump” as a musical form construction as an alternative for false causalities Under the title “discontinuity”, Michael Maierhof will

Darmstadt 1 / Discontinuity with Michael Maierhof

DISCONTINUITY Workshop Michael Maierhof With selection process Participants: composers, artists, teams Discontinuity as gaps, as loops, as blind spots as “media jump” as a musical form construction as an alternative for false causalities Under the title “discontinuity”, Michael Maierhof will

tanzschreiber : writing on dance : costume, set, and song cycles at the staatsballett berlin

Costume, Set, and Song Cycles at the Staatsballett Berlin The Staatsballett Berlin closes its season—and its leadership by Nacho Duato—with a final programme of works from Gentian Doda, Marco Goecke, and Duato.   Doda’s work, “was bleibt” (or, “what remains”),

tanzschreiber : writing on dance : costume, set, and song cycles at the staatsballett berlin

Costume, Set, and Song Cycles at the Staatsballett Berlin The Staatsballett Berlin closes its season—and its leadership by Nacho Duato—with a final programme of works from Gentian Doda, Marco Goecke, and Duato.   Doda’s work, “was bleibt” (or, “what remains”),

tanzschreiber : writing on dance : flashbacks and fantasies : an hour with iggy lord malmborg

Flashbacks and Fantasies: An hour with Iggy Lord Malmborg Iggy Lord Malmborg’s “Physics & Phantasma” provokes a collective creation of fiction, fear, and fantasy at the Sophiensaele Hochzeitssaal. While the borders on the discipline of dance may have been blown

tanzschreiber : writing on dance : flashbacks and fantasies : an hour with iggy lord malmborg

Flashbacks and Fantasies: An hour with Iggy Lord Malmborg Iggy Lord Malmborg’s “Physics & Phantasma” provokes a collective creation of fiction, fear, and fantasy at the Sophiensaele Hochzeitssaal. While the borders on the discipline of dance may have been blown